We Are Okay by Nina LaCour

December 1st, 2019

In her foreword, Nicola Yoon says this book is “a small, glittering world of beauty and emotion and truth,” which I think sums it up pretty nicely. I read this book over the course of two days and loved being immersed in Marin’s world, raw as it felt. (I cried near the end of the book. Twice.) The dual-timeline narration goes back and forth between Marin’s present (a winter break that she’s spending in her freshman dorm) and recent past (the end of her senior year of high school in San Francisco, and the summer before college started). That kind of narration can sometimes feel gimmicky to me (like the author doesn’t trust the story to be engaging enough on its own), but here it worked: Marin is dealing with grief and coming back to herself, and the dual narration lets us see how Marin got to where she is when the book opens.

It’s hard to talk about this book without spoilers, so I’ll be vague, but one thing I love is the way that Marin and her best friend Mabel talk about art and literature—the way that Marin spins out interpretations of a painting or a novel, the way that the ambiguity or complications of a narrative are exciting to her or stressful to her, the way that coming to terms with her grief involves thinking about how things could have been different but accepting how they are, while also realizing that there isn’t actually a single interpretation for or explanation of that.

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