February 4th, 2017
Two things that are relevant to my reading of this book:
1) I’m going on vacation to New Zealand at the start of April! I’m very excited. One of my favorite people has lived in Auckland for several years now and has kept telling me I should come visit and I finally am going to. She gave me some NZ-centric book and movie recommendations and this comic, by NZ artist Dylan Horrocks, was one of them.
2) In general, I like graphic memoirs more than I like graphic novels or other kinds of comics. It’s hard for me to articulate why that is, but something about a personal narrative in words + pictures is really appealing to me. As such, possibly my favorite part of this book was the introduction to this new (2010) edition, in which Horrocks talks about his own childhood connections to comics, Tintin especially, and his subsequent work as an artist creating them. The drawings of Tintin panels are great, and so is the rest of the introduction – I especially like a bit where we see Horrocks looking out a window at a view of sea and sky and mountains, his own frowning reflection looking back at him.
Not that I didn’t like the book itself, too, which is about a journalist, Leonard Batts, who travels to Hicksville, a (fictional) tiny town in New Zealand, to learn more about his comic-book-writing hero, Dick Burger, who is from there. When he arrives, he finds that everyone in town really loves comics, and no one particularly seems to like Dick Burger: part of the story is Leonard (and us) finding out why. The book is full of comics quotes and references and in-jokes, and also full of comics itself—we get a mysterious strip about Captain Cook and the Māori leader Hōne Heke and the surveyor Charles Heaphy, plus a character’s weekly strip for a humor magazine, plus a character’s autobiographical mini-comic, and more. We also get the Māori story of how the North Island (Te Ika-a-Māui) came to be, and digressions on maps and map-making and navigating and art-making/storytelling, and a fair bit of tea, which Leonard, unfortunately, does not enjoy at all. Even outside of the comics within the book, the story jumps in location and time: we see one character, Grace, in the present/returning to Hicksville after time away; we also see some of her time away. There’s a lot going on, is I guess what I am trying to say, and it mostly works, though some of the comics references were lost on me (there is a helpful glossary at the back, which I wish I’d known about sooner)! I like both the writing and the art, which is good at both big wordless pages full of water and sky and light and at detailed panels that show things like, for example, one character having a copy of If on a winter’s night a traveler by Italo Calvino.